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In this short statement from the autumn 1958 issue of It is, Robert Richenberg makes several short, somewhat enigmatic, statements regarding this elusive, slippery thing we call painting. |
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Pat Lipsky had a close professional relationship with Clement Greenberg from the mid 80s up to his death in the mid 90s. Here, in a conversation with Joe Walentini, she remembers that relationhip and considers his legacy. |
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In this short essay from the Autumn 1959 issue of �It is�, the writer and curator, Robert Goldwater took a critical historical look at the �Club� (established by Philip Pavia as a formal meeting place for the abstract artists of the �40s and �50s) and noted how it had changed; especially given the commercial success of some of its members. |
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Claire Seidl is best known as an abstract painter but over the past few years she has also done a great deal photography. In this conversation with Joe Walentini she contrasts and compares the two mediums. |
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This essay was written for the Spring 2003 American Abstract Artists Journal in which the theme is On Edge: Aesthetics, Anxiety and Awe�. The underlining question posed is What is at stake for abstract art? |
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In part II of this two part interview the artist and critic, Mario Naves focuses on his role as a critic and writer. |
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