 |
 |
 |
 |
 |
 |
|
| |
Helen Frankenthaler, Ameringer Yohe Fine Arts Gallery, 20 West 57 Street to November 17 |
|
|
|
This exhibition spans some 40 years over the career of Helen Frankenthaler. Although a contemporary of the New York School artists she is regarded as a bridge and inspiration for the Second Generation artists such as Morris Louis and Ken Noland. You see this in her work too, an affiliation with epic scale abstraction but with the subtle detached quality that is emblematic of the Second Gen artists. Color and large scale are the focus for this work. Bright hues are tempered by |
|
|
|
|
|
Helen Frankenthaler, Ameringer-Yohe Fine Arts |
|
|
|
earthier tones which dominate in the massive painting, August Deep. A strong enveloping sense of landscape emanates from this piece. I�m reminded of broad vistas encountered in the South West where vast open space, for all its depth and distance, is somehow encompassing. This does not equate to intimacy but rather suggests something generally atmospheric. |
|
|
|
Over the period represented by this work Frankenthaler employed a variety of techniques for addressing the canvas. Sometimes the paint is poured on, appears to have been rolled across the surface or applied conventionally by brush. Large portions of the surface are sometimes left blank or covered with flat color. Dimension is created between the forms or sometimes within due to the color. The focus is hazy in some portions such as in the painting above where |
|
|
|
|
|
|