Chelsea

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where he lived and worked. In Scotland he found a dark emotional setting, in Paris just the opposite.  In New York he was able to translate all of this into a larger scale.  His colors, his paint handling and how he approached form may have varied a great

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deal throughout his career but not his general approach to his subject. Here too was found his content; the parallels between abstract painting and the abstraction of nature and, ultimately of pure passion and emotion itself.

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