Chelsea

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 GalleryViews / Chelsea

 

 February 28, 2003 / page 2

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Finally, D�Arrigo manages to create repetition that is not serial.  Her forms replicate organic nature in that patterns emerge but are imprecise 

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Elisa D�Arrigo, Inside Out 12, 2000 - 02, cloth, acrylic medium, acrylic paint, thread, 109 x 53 x 72 in

and so another set of contrasting perspectives is proffered.  Smaller forms repeat but in several different sizes.  Still the proportions are kept within certain limits; all of which is in the service of the larger object. As with organic life forms, these pieces are a sum of their parts. And this is at the core of D�Arrigo�s sculpture: a keen focus and obsession on the smaller parts with an eye toward to the larger end.

 Bill Weiss at Elizabeth Harris Gallery, 529
 West 20th Street to March 8

These quirky little paintings seem merely simplistic at a quick glance, but give them some time and a myriad of possibilities opens up.  They possess a rather obvious relationship to children�s art for the basic shapes and colors they contain. Although they are abstract paintings, each strongly hints at some sort of lyrical storytelling. You might look at them as you would a child�s drawing and wonder what the accompanying narrative is.  For this they

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Eliza D�Arrigo - installation view

bear some comparison to an artist like Paul Klee or, more obliquely, the old Warner Brothers cartoons for the way that both children and adults enjoy them for different reasons.  This serves as an entry point to understanding their content. Taken as a group they suggest a serial narrative but without

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Bill Weiss, January 29, 2003, 2003,
acrylic on wood, 15.75 x 10 in

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