domestic part. It�s interesting to know this but fortunately doesn�t get in the way of understanding and appreciating the work on other levels.
Finally, there are the working methods and manner in which the work is created. Zusman can spend months of intensive, nearly obsessive labor on these objects. You see all that activity in each piece and are amazed at the precision with which
they are created. The many, many hours of labor to create them offer something that Conceptual or Performance artists often strive for (and just as often fail to achieve as effectively) with their art. But, like other facets already mentioned, this too does not distract from Zusman�s preoccupation with and primary focus on the sensual object. Because she never loses this focus, she understands and creates a true visual sensibility with her art.
