massive folds. Self-possessed of a counter- intuitive delicacy they have a sense of being spilled onto the concrete floor which they dominate. Throughout the gallery there are a number of naturally occurring cracks in the cement which seemed caused by the weight of these pieces. The unintended effect is paradoxical for suggesting that the work, looking like large folded sheets of heavy paper, could also be so heavy as to crack the floor.
In comparison to the works on the walls, the sculpture, for all its mass, impact and novel use of the gallery space, is exceedingly passive and is therefore unable to hijack control of this show. Some of this is a matter of numbers where the wall pieces significantly outnumber the sculpture.
David Rabinowitch, Peter Blum Gallery
David Rabinowitch, Peter Blum Gallery
David Rabinowitch, Peter Blum Gallery
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